{"id":45,"date":"2016-01-29T20:52:42","date_gmt":"2016-01-29T19:52:42","guid":{"rendered":"http:\/\/mathilde.digidrom.eu\/?page_id=45"},"modified":"2026-04-13T08:20:29","modified_gmt":"2026-04-13T06:20:29","slug":"vita","status":"publish","type":"page","link":"https:\/\/mathilde-grebot.com\/en\/vita\/","title":{"rendered":"Profile"},"content":{"rendered":"<p>&nbsp;<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-771x1024.jpg\" alt=\"\" width=\"771\" height=\"1024\" class=\"alignnone size-medium wp-image-2452\" srcset=\"https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-771x1024.jpg 771w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-1542x2048.jpg 1542w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-1157x1536.jpg 1157w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-200x266.jpg 200w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-420x558.jpg 420w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-135x179.jpg 135w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-434x576.jpg 434w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-128x170.jpg 128w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-87x115.jpg 87w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-376x500.jpg 376w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-188x250.jpg 188w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-scaled.jpg 1928w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-200x266@2x.jpg 400w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-420x558@2x.jpg 840w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-135x179@2x.jpg 270w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-434x576@2x.jpg 868w, https:\/\/mathilde-grebot.com\/wp-content\/uploads\/2026-376x500@2x.jpg 752w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><\/p>\n<p>Foto: Anna Fernengel<\/p>\n<p>During my university studies at the University of Visual Arts of Saint Etienne, I developed an interest in the representation and use of clothing in contemporary art and then in the performing arts. Since obtaining my Diplome des M\u00e9tiers d&#8217;Arts de Costumi\u00e8re (Ecole sup\u00e9rieure La Martini\u00e8re-Diderot, Lyon), I live in Germany and work as a costume designer and assistant for opera, dance, theater and musicals.<\/p>\n<p>2020-2021 I studied culture managment (Master degree) at the University of Lyon.<\/p>\n<p>Since September 2023 I have been working as costume production manager in the costume department of the Francfort Opera House, St\u00e4dtische B\u00fchnen Frankfurt am Main.<\/p>\n<p>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/p>\n<p><strong>Costume design<\/strong><\/p>\n<p>2023<br \/>\n<strong>Dracula,<\/strong> by Bram Stoker, directed by Martin Lyngbo, Theater Aarhus, Denmark<br \/>\n<strong>L&#8217;Isola d&#8217;Alcina<\/strong>, music by Giuseppe Gazzaniga, music direction by Werner Ehrhardt, directed by Christoph von Bernuth, Schwetzinger Festspiele, Staatstheater Oldenburg<b> <\/b><\/p>\n<p>2022<br \/>\n<strong>Sphynx<\/strong>, chor\u00e9graphy by Rafaele Giovanola, Staatstheater Mainz, Germany<br \/>\n<strong>Runtrough<\/strong>, chor\u00e9graphy by Rafaele Giovanola,Th\u00e9\u00e2tre du Crochetan, Monthey, Switzerland<br \/>\n<strong>Sunset Boulevard, <\/strong>Den Jyske Opera, Denmark<\/p>\n<p>2021<br \/>\n<strong>Inkognito Royal<\/strong>, Operette by Kartsen Fundal, text and stage directing by Philipp Kochheim, Den Jyske Opera, Aarhus, Denmark<\/p>\n<p>2020<br \/>\n<strong>The Abduction from the Seraglio<\/strong>, by Wolfgang Amadeus Mozart, directed by Philipp Kochheim, Den Jyske Opera, Aarhus, Denmark<br \/>\n<strong>Don Pasquale<\/strong>, by Gaetano Donizetti, directed by Christoph von Benruth, Oldenburgisches Staatstheater, Germanyby Rafaele Giovanola,<br \/>\n<strong>Hybridity<\/strong>, Cocoon Dance Compagny, Choreographer Rafaele Giovanola<\/p>\n<p>2019<br \/>\n<strong>Dream City<\/strong>, Coccon Dance Compagny,<br \/>\n<strong>Doctor Jiwago<\/strong>, musical by Lucy Simon , directed by Markus Olzinger, Musical Fr\u00fchling in Gmunden, Austria<br \/>\n<strong>The Abduction from the Seraglio<\/strong>, opera by Wolfgang Amadeus Mozart, directed by Philipp Kochheim, Theater M\u00fcnster, Germany<br \/>\n<strong>Michael Kohlhaas<\/strong>, opera by Paul August von Klenau, directed by Philipp Kochheim, Den Jyske Opera, Aarhus, Denmark<\/p>\n<p>2018<br \/>\n<strong>Ragtime<\/strong>, musical by Stephen Flaherty, directed by Philipp Kochheim, Oper Graz<br \/>\n<strong>I due Foscari<\/strong>, opera by Guiseppe Verdi, directed by Philipp Kochheim, Theater Bonn<br \/>\n<strong>Jane Eyre<\/strong>, musical by Paul Gordon, directed by Markus Olzinger, Musical Fr\u00fchling in Gmunden<\/p>\n<p>2017<br \/>\n<strong>Ragtime<\/strong>, musical by Stephen Flaherty, directed by Philipp Kochheim, Staatstheater Kassel<br \/>\n<strong>Romeo and Juliet<\/strong>, opera by Riccardo Zandonai, directed by Philipp Kochheim, Staatstheater Braunschweig<\/p>\n<p>2016<br \/>\n<strong>Cyrano de Bergerac<\/strong>, comedy by Edmond Rostand, directed by Jens Kerbel, Hessisches Landestheater Marburg<\/p>\n<p>2015<br \/>\n<strong>Ragtime<\/strong>, musical by Stephen Flaherty, directed by Philipp Kochheim, Staatstheater Braunschweig<br \/>\n<strong>The Adventures of Pinocchio<\/strong>, opera by Jonathan Dove, directed by Jens Kerbel, Staatstheater Oldenburg<br \/>\n<strong>My Fair Lady<\/strong>, musical by Frederick Loewe, directed by Philipp Kochheim, Staatstheater Braunschweig<\/p>\n<p>2014<br \/>\n<strong>The Comedy of Happiness<\/strong>, musical by Richard Rodgers, directed by Philipp Kochheim, Staatstheater Kassel<br \/>\n<strong>L&#8217;enfant et les Sortil\u00e8ges<\/strong>, opera by Maurice Ravel, directed by Jens Kerbel, Theater Bonn<\/p>\n<p>2013<br \/>\n<strong>The Freisch\u00fctz<\/strong>, opera by Carl Maria Weber, directed by Philipp Kochheim, Theater Koblenz<\/p>\n<p>2010 &#8211; 2013<br \/>\nTheater Bonn:<br \/>\n<strong>The Arabian Princess<\/strong>, children&#8217;s opera by Juan Cris\u00f3stomo de Arriaga, directed by Jens Kerbel<br \/>\n<strong>Peer Gynt<\/strong>, children&#8217;s opera after E. Grieg und H. Ibsen, staging by Jens Kerbel<br \/>\n<strong>Eloise<\/strong>, children&#8217;s opera by Karl Jenkins, directed by J. Kerbel<br \/>\n<strong>The Sky Blue Puppy<\/strong>, children&#8217;s opera by Gennadi Gladkov, directed by B\u00e4rbel Stenzenberger<br \/>\n<strong>The Sybille Berg Night<\/strong>, texts by Sybille Berg, directed by Christopher Hanf<br \/>\n<strong>Sight Trouble<\/strong>, drama by Christina Masciotti, directed by J. Kerbel<br \/>\n<strong>My Mother&#8217;s Courage<\/strong>, drama by George Tabori, directed by Helen Danner<br \/>\n<strong>Tausend W\u00fcnsche eine Quelle<\/strong>, review about the distance selling company <em>Quelle<\/em> by M.Barfu\u00df und J.Kerbel<\/p>\n<p>2011 &#8211; 2012<br \/>\nAlanus College of Art, Bonn<br \/>\nMusical evenings of the acting students, directed by Michael Barfu\u00df<br \/>\n<strong>4734 Peanuts<\/strong>, choreography and dance by Ziv Frenkel and Valent\u00ed Rocamora i Tor\u00e0<\/p>\n<p>2008 &#8211; 2009<br \/>\nFrankfurt University of Music and Performing Arts<br \/>\ncreation of costumes and sets for the singing class<\/p>\n<p>2007<br \/>\n<strong>L&#8217;histoire de l&#8217;homme<\/strong>, Paul Emond, Compagnie Traverses, directed by V. Traversi<\/p>\n<p>2006<br \/>\n<strong>Le jour des Corneilles<\/strong>, und<strong> Farces du Moyen Age<\/strong>, Compagnie Th\u00e9\u00e2tre du Lac, directed by R. Simonet<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Foto: Anna Fernengel During my university studies at the University of Visual Arts of Saint Etienne, I developed an interest in the representation and use of clothing in contemporary art and then in the performing arts. Since obtaining my Diplome des M\u00e9tiers d&#8217;Arts de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-45","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/pages\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":10,"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/pages\/45\/revisions"}],"predecessor-version":[{"id":2458,"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/pages\/45\/revisions\/2458"}],"wp:attachment":[{"href":"https:\/\/mathilde-grebot.com\/en\/wp-json\/wp\/v2\/media?parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}